![thor dark world movie directors thor dark world movie directors](https://www.looper.com/img/gallery/director-alan-taylor-confirms-what-we-always-suspected-about-thor-the-dark-world/intro-1628804270.jpg)
![thor dark world movie directors thor dark world movie directors](https://images.hindustantimes.com/rf/image_size_630x354/HT/p2/2020/06/02/Pictures/_e4823f68-a4c4-11ea-bb61-4f53f79c8883.jpg)
It’s a considerably funnier movie than its predecessor, thanks in large part to Kat Dennings (who returns as Jane’s intern), the always-amiable Chris O’Dowd (who shows up as a decidedly underpowered rival for Jane’s affections), and a sneaky-good cameo by Chris Evans, a.k.a. Rather, Thor: The Dark World gets by thanks to its heady pace and good-natured charm. The secondhand plot and daft visuals are not, in any case, the movie’s main selling points. So clever and conflicted that he seems barely able to tolerate himself, Hiddleston’s Loki is a hero for the antiheroic age of Don Draper and Walter White. And while I won’t go so far as to say that he succeeds-I’m not sure that “success” is a meaningful concept when it comes to Asgardian starfighters that are shaped like Viking longships-the execution is about as good as one could reasonably hope for. This kind of magical past/technological future crossover is not an easy thing to pull off, but director Alan Taylor (a veteran of Game of Thrones) takes the challenge head on. Thor: The Dark World often plays like a peculiar mashup of Tolkien and Star Trek-a Balrog here, a Romulan Bird of Prey there-with hints of Alien and Hellboy thrown in for good measure. And if it sounds an awful lot like the premise of The Lord of the Rings, well, it’s that too. If this all sounds pretty ridiculous, well, it is. Malekith and his crew, who unbeknownst to all have been in suspended animation on their starship lo these many years, are awakened and come looking for the Aether, which they plan to use to destroy the universe (or, as the Asgardians like to put it, the “nine realms”) and usher in a new age of darkness. While searching for a way to contact her interstellar hunk, Jane stumbles into an alternate dimension, where-what are the odds?-she comes in contact with the Aether, which enters her body and refuses to leave. Thor (Chris Hemsworth) has returned to Asgard, leaving his astrophysicist love-interest, Jane Foster (Natalie Portman), behind on Earth. The Asgardians, unable to destroy the Aether, decided instead to “bury it deep where no one can find it.” You can probably guess how well that worked out.įlash forward to the present. Their leader, Malekith (Christopher Eccleston), had created a superweapon-an otherworldly floating goo called “the Aether”-but he was defeated before he could deploy it. The story begins thousands of years ago, when Odin’s father (that is to say, Thor’s grandfather) led the forces of Asgard in a war against the Dark Elves, who, as their name suggests, were not nice folks. The movie does feature some of the "physics going wonky" material, such as when the group of kids find a truck floating weightless in the air, but there isn't much of that in the film.Grief Is Evidence of Love Kellie Carter Jackson Reflecting back on Thor: The Dark World, the first and third act of the movie are both very Earth-heavy, but the story moves away from our planet once Chris Hemsworth's titular God of Thunder reunites with Natalie Portman's Jane Foster. And there were major plot differences that were inverted in the cutting room and with additional photography - people who had died were not dead, people who had broken up were back together again. There was weird stuff going on back on Earth because of the convergence that allowed for some of these magical realism things. There was a slightly more magical quality. The version I had started off with had more childlike wonder there was this imagery of children, which started the whole thing. Unfortunately, according to Taylor, he lost the reins of the cut during post-production. He was brought on to Thor: The Dark World in the wake of Patty Jenkins stepping away from the project, and the thought was that he could apply his experience from his work on Game Of Thrones in the making of the Marvel feature. Taylor recently sat down for an interview with The Hollywood Reporter to talk about his latest movie, the Sopranos prequel The Many Saints Of Newark, but during the conversation the topic drifted to the filmmaker's first blockbuster.